
above the image of Kaiju TriPus TERESA created for the Beauty & the Kaiju project
Rounding out the 6 women artists for this project is artist, TERESA. Like all the other images this one does not disappoint ! The subject of TERESA’s art works are of women dressed in Kimonos .. and at first glance you may think the women in this art is simply just that. You’d be wrong of course, as you gaze upon the lovely face, you will see the third eye of TriPus ! Is she good or evil ?! Its not really clear and left up to the viewer to decide … the face has a very pleasant look but the tentacles that are emerging and flow upwards into the hair speak of a more menacing situation. And if you stop and think about it you are under water as you view this, so i would say it’s most likely not a good situation !
TERESA’s rendering is at once powerful while her line work is delicate and flows nicely… all while maintaining the classic Japanese wood block print influence of the past. For sure the Kaiju world is not a normal venue for this artist, but i think TERESA has been able to cross over from her world into the monster realm, without losing her style and outlook. TERESA has also managed to keep the theme of “3” in her TriPus art, too … 3 tentacles, 3 pieces of hair flowing, 3 eyes, etc .. Nice !
The following is TERESA’s artists statement. Thanks to my buddy, Yo Miyamoto for his translations and support of this project ! I’ll also post an interview with her soon !
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照紗(てれさ)
グラフィックデザイナー/ イラストレーター
Production_Genmu(プロダクションゲンム)を屋号に作家活動を精力的に行う。
イラストレーションにこだわらずプロダクト(浴衣や雑貨)デザイン、アートディレク
ション、ライブパフォーマンスなど
多岐の媒体に渡り作品を展開する。
主に歌舞伎や演劇をモチーフに、時代を越えても変わらない
乙女の持っているちょっと傾(かぶ)いた恋心や強さ、弱さを
様々な手法で描く傾乙女絵師(かぶきおとめえし)。
TERESA
Graphic Designer / Illustrator
Teresa is an tireless artist who has been working under the style of Production_Genmu.
She has been releasing her artworks not only via illustration but also in multiple media such as YUKATA (kimono for Summer), sundries, designs, art direction and live performance.
Many of Teresa’s artworks have been created in the motif of KABUKI and plays. She calls herself as KABUKI-OTOME-ESHI who express girl’s unchanged but biased inner strength and weakness of their romance in various method.
web: http://p-genmu.com

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above TERESA hand signing the giclee prints during her own recent art show.

I look forward to meeting TERESA on my next trip to Japan ! For sure I have a ton of questions for her about her work ! I’m intrigued by her artists statement above (!) and yes, I’m a Boy, so she will need to explain more about a Girl’s inner strength (!) .. which i suppose I will never really understand ;-P ha ha …Perhaps a form of Girl Power ?!!
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This awesome image of Kaiju TriPus was part of the Beauty and the Kaiju art show which was held at Design Festa – West- Harajuku, Tokyo, Japan on Dec 22nd, 23rd & 24th, 2010.
Giclee prints, signed by TERESA are now available for sale via my web store, http://www.maxtoyco.com.
And in February 2011, the project moves to Rotofugi in Chicago, with an added bonus we will reveal very soon 😉
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About toykarma
Over the years Mark Nagata has collected thousands of toys and a fair amount of titles. The man behind San Francisco-based Max Toy Company is widely known as: Toy Collector. Illustrator. Magazine Founder/Publisher. Toy Designer. Artist. Author. Husband. Father. But the one description that might fit best is an unofficial one – Kaiju Toy and Art Ambassador.
In the Japanese-inspired art and toy area, as well as throughout the larger toy collecting community, Mark is welcomed and recognized for his personal passion and commitment to supporting artists all around the world and the unique works they create. Beginning as a collector in his youth, Mark has had for years a keen eye for great art and a personal interest in collecting that he has spread through a variety of outlets.
Trained at the Academy of Art College in San Francisco, Mark honed his skills working for himself and for some of the most notable businesses in the country. As a freelance commercial illustrator, he completed works for such prominent companies as Lucasfilms, DC Comics, Hasbro Toys, IBM, Sony, and numerous advertising and design firms, both national and international. Mark’s colorful style graces over 40 cover paintings for R.L. Stine’s Goosebumps book series – Give Yourself Goosebumps.
After hundreds of assignments, Mark made the decision to move in another direction, and that choice has led to whole new career as a successful businessman. For four years, the owner of one of the largest Ultraman toy collections in the world co-published Super 7 Magazine showcasing the finest in Japanese toy collecting.
“I’d been collecting Japanese toys all along and suddenly realized it would be cool to have a magazine of some type devoted to them,” Nagata says.
Mark’s devotion to presenting collectors with a selection of original figures inspired by classic Japanese toys from the 1960s and ‘70s as well as new versions of licensed Japanese characters is at the heart of Max Toy Company. Named for his son, Max Toys specializes in custom and limited editions of “kaiju” (Japanese monsters) toys and artwork. Many of the original toys produced are hand painted by Mark, a tradition that goes back to Japanese toy makers of the past.
“Since our target is the soft vinyl Japanese toy collector, which is a very small niche, our runs of toys can be extremely small,” Mark says. “Runs range from 500 pieces of one toy to just one for a hand-painted, one-of-a-kind custom figure.”
Through Max Toys, Mark has taken great pains to widen the reach of his two passions – toys and art. He played a significant part in the development of the first group kaiju show in the United States. Held at the Rotofugi Gallery in Chicago, Illinois in 2007, the “Toy Karma” Show featured detailed work from artists from Japan, the U.S. and South America. Participants marveled at the custom-painted toys and art on display. “Toy Karma” led to Mark being asked to be one of the artists spotlighted in the “Beyond Ultraman: Seven Artists Explore the Vinyl Frontier” exhibit at the Pasadena Museum of California Art. The October 2007 show, held jointly with the Los Angeles Toy, Doll and Amusement Museum, marked the first time – in a museum setting – that the influence of Japanese toys on California artists was explored. The exhibit featured more than 30 of Mark’s original paintings, toys and a selection of his vintage toy collection.
Mark continued to be at the forefront as interest in Japanese-inspired art and toys expanded in 2008. Prestigious art houses Philips De Pury and Christie’s in New York and London sold Mark’s hand-painted custom kaiju toys in its auctions, spreading this unique art and toy movement into new and uncharted areas of the art world.
In 2009, Mark once again took his love of toys and art overseas this time to a receptive and welcoming audience in Tokyo, Japan. Here, Mark curated the “Kaiju Comrades” Art Show, once again bringing together artists from various aspects of the kaiju toy realm in this first-of-its-kind toy art show. The following year found Mark in Barcelona, Spain co-curating with Emilio Garcia “Kaiju Attack,” the European country’s first kaiju art show.
As the growth of kaiju art and toys increases worldwide, Mark continues in his unofficial role of Kaiju Toy and Art Ambassador. He has written and had his artwork and toy designs included in several books and magazines, both domestic and international. In 2010, Mark served as guest lecturer on kaiju and the toy-making process at the Morikami Museum in Florida. The San Francisco resident and his art can also be spotted in the first volume of the “ToyPunks” DVD and the “Toys R Us” DVD, while the video for the number one song by Owl City “Fireflies” featured Mark’s popular Kaiju Eyezon character. During this same time period, Mark has spearheaded the “Toy Karma 2” and “Kaiju Comrades 2” shows and has plans for future shows both in the U.S. and overseas.
“Max Toys allows me to produce original artwork, new toys and work directly with a lot of talented artists,” Mark says. “Max Toy is a synthesis of toys and art, both life-long passions.”