Who’s BoBzilla you may ask ? Well he is better known as world famous artist, Bob Eggleton !
but those of us who know Bob, know that Godzilla runs in his veins 😉 Heck the studio that makes Godzilla films, Toho, has Bob’s art work hanging in its studio as inspiration of what Godzilla could and should be ! Recently Bob and his equally talented wife, Marianne visited me
… I’ve got a small collection of Bob’s art on my wall, classic pieces of Hedorah (the Smog Monster ), Godzilla, and Ultraman !
Of course they signed the 7 foot tall Mirrorman figure
.. at lunch we talked about Japanese toys, film and art… ah, art .. both Bob and I are in total agreement that the days of the classic illustrator artist is a very rare thing. Now what i mean is a traditional artist .. one who does most all the phases of the actual art without a computer. Ya, you’ve heard me say this before .. I prefer the Human touch to the Digital touch. Yes, as I was corrected on Twitter, digital is done by hand .. but, I mean by human hand with pencil or paint to paper or canvas. And no final tweaking or scanning in photoshop, ha-ha … when it’s done it’s done .. it is a piece of art and that piece of art is unique and totally original. If you bought it than you can truly say you are the only owner of this painting or drawing ! and if you could see Bob’s originals in person, the depth to the paint, the texture to Bob’s highlights .. all create a very 3 dimensional experience .. something that you know about if you’ve seen a classic painting in a museum .. sorry, not even a giclee can replicate this.
Ah, but time marches on .. I admire that Bob is still at the game after nearly 30 years .. I folded my freelance career some 12 years ago now … I still do paintings, but they are for my toy company and for myself, mostly. It was great to get his perspective and experience on his career. I am glad that I was able to freelance for over 12 years and taste a bit of that life .. it actually taught me to make changes on the fly, and to deal with that classic New York type of art director (!) ha-ha … I think us west coasters are too “nice” as it were .. but i digress … funny thing is I still get under the gun and have to whip out an illustration in a few hours.. so the clients change but not the deadlines !
I’m not saying digital is not good, far from it .. i’ve seen some digital work that is impressive, but the old school in me just doesn’t get the same feeling from it. There really is no solution to any of this, it is what it is .. those of us who do what we do will continue to do it that way and maybe long enough to see the trend swing back .. but we know deep down inside when all the power goes out we can still draw or paint , and not worry about hitting the “save” button !
Over the years Mark Nagata has collected thousands of toys and a fair amount of titles. The man behind San Francisco-based Max Toy Company is widely known as: Toy Collector. Illustrator. Magazine Founder/Publisher. Toy Designer. Artist. Author. Husband. Father. But the one description that might fit best is an unofficial one – Kaiju Toy and Art Ambassador.
In the Japanese-inspired art and toy area, as well as throughout the larger toy collecting community, Mark is welcomed and recognized for his personal passion and commitment to supporting artists all around the world and the unique works they create. Beginning as a collector in his youth, Mark has had for years a keen eye for great art and a personal interest in collecting that he has spread through a variety of outlets.
Trained at the Academy of Art College in San Francisco, Mark honed his skills working for himself and for some of the most notable businesses in the country. As a freelance commercial illustrator, he completed works for such prominent companies as Lucasfilms, DC Comics, Hasbro Toys, IBM, Sony, and numerous advertising and design firms, both national and international. Mark’s colorful style graces over 40 cover paintings for R.L. Stine’s Goosebumps book series – Give Yourself Goosebumps.
After hundreds of assignments, Mark made the decision to move in another direction, and that choice has led to whole new career as a successful businessman. For four years, the owner of one of the largest Ultraman toy collections in the world co-published Super 7 Magazine showcasing the finest in Japanese toy collecting.
“I’d been collecting Japanese toys all along and suddenly realized it would be cool to have a magazine of some type devoted to them,” Nagata says.
Mark’s devotion to presenting collectors with a selection of original figures inspired by classic Japanese toys from the 1960s and ‘70s as well as new versions of licensed Japanese characters is at the heart of Max Toy Company. Named for his son, Max Toys specializes in custom and limited editions of “kaiju” (Japanese monsters) toys and artwork. Many of the original toys produced are hand painted by Mark, a tradition that goes back to Japanese toy makers of the past.
“Since our target is the soft vinyl Japanese toy collector, which is a very small niche, our runs of toys can be extremely small,” Mark says. “Runs range from 500 pieces of one toy to just one for a hand-painted, one-of-a-kind custom figure.”
Through Max Toys, Mark has taken great pains to widen the reach of his two passions – toys and art. He played a significant part in the development of the first group kaiju show in the United States. Held at the Rotofugi Gallery in Chicago, Illinois in 2007, the “Toy Karma” Show featured detailed work from artists from Japan, the U.S. and South America. Participants marveled at the custom-painted toys and art on display. “Toy Karma” led to Mark being asked to be one of the artists spotlighted in the “Beyond Ultraman: Seven Artists Explore the Vinyl Frontier” exhibit at the Pasadena Museum of California Art. The October 2007 show, held jointly with the Los Angeles Toy, Doll and Amusement Museum, marked the first time – in a museum setting – that the influence of Japanese toys on California artists was explored. The exhibit featured more than 30 of Mark’s original paintings, toys and a selection of his vintage toy collection.
Mark continued to be at the forefront as interest in Japanese-inspired art and toys expanded in 2008. Prestigious art houses Philips De Pury and Christie’s in New York and London sold Mark’s hand-painted custom kaiju toys in its auctions, spreading this unique art and toy movement into new and uncharted areas of the art world.
In 2009, Mark once again took his love of toys and art overseas this time to a receptive and welcoming audience in Tokyo, Japan. Here, Mark curated the “Kaiju Comrades” Art Show, once again bringing together artists from various aspects of the kaiju toy realm in this first-of-its-kind toy art show. The following year found Mark in Barcelona, Spain co-curating with Emilio Garcia “Kaiju Attack,” the European country’s first kaiju art show.
As the growth of kaiju art and toys increases worldwide, Mark continues in his unofficial role of Kaiju Toy and Art Ambassador. He has written and had his artwork and toy designs included in several books and magazines, both domestic and international. In 2010, Mark served as guest lecturer on kaiju and the toy-making process at the Morikami Museum in Florida. The San Francisco resident and his art can also be spotted in the first volume of the “ToyPunks” DVD and the “Toys R Us” DVD, while the video for the number one song by Owl City “Fireflies” featured Mark’s popular Kaiju Eyezon character. During this same time period, Mark has spearheaded the “Toy Karma 2” and “Kaiju Comrades 2” shows and has plans for future shows both in the U.S. and overseas.
“Max Toys allows me to produce original artwork, new toys and work directly with a lot of talented artists,” Mark says. “Max Toy is a synthesis of toys and art, both life-long passions.”
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